It is true what you are saying. I have said that the Fall of the Towers (although I don't endorse the action) was collateral damage coming home to roost. But I was careful to whom I said it.
The scientific evidence is now abundant after some 20 years of forensic examination, laws of physics, and logic that those 3 buildings collapsed neither from plane impact nor fires, but from meticulously placed extremely sophisticated explosives that would not be accessible nor would the venues be accessible to a team of Afghan or Saudi terrorists. If you don't agree with this, then you haven't been paying attention to the numerous physicists, chemists, architects, engineers, firefighters, and eye witnesses, nor the formal peer-reviewed evaluation by prof. emeritus of structural engineering, Dr. Leroy Hulsey.
On YouTube the other day, I watched this video from the Edward Said National Conservatory of Music and it arrested my senses. Thank you for bringing context to the dilemma of art in the face of the horrific. And thank you for continuing to perform, write, and speak.
It is true what you are saying. I have said that the Fall of the Towers (although I don't endorse the action) was collateral damage coming home to roost. But I was careful to whom I said it.
The scientific evidence is now abundant after some 20 years of forensic examination, laws of physics, and logic that those 3 buildings collapsed neither from plane impact nor fires, but from meticulously placed extremely sophisticated explosives that would not be accessible nor would the venues be accessible to a team of Afghan or Saudi terrorists. If you don't agree with this, then you haven't been paying attention to the numerous physicists, chemists, architects, engineers, firefighters, and eye witnesses, nor the formal peer-reviewed evaluation by prof. emeritus of structural engineering, Dr. Leroy Hulsey.
And Jon Olsen is a good comedian, too.
Like this: We assert the right not to BARE arms
"One empire,under surveillance, with deceit and oppression for all!"
Q: What did the medical researcher say to his assistant as they began a study of the effects of marijuana on seabirds?
A: During the course of our investigation, we must leave no tern unstoned."
On YouTube the other day, I watched this video from the Edward Said National Conservatory of Music and it arrested my senses. Thank you for bringing context to the dilemma of art in the face of the horrific. And thank you for continuing to perform, write, and speak.
https://www.youtube.com/watch?v=Ca4dY5-8goY